Remembering Alastair Putt
I’ve written the following on behalf of my ensemble EXAUDI, with whom Alastair had a long and close relationship as a singer, composer, supporter and friend. ****** On Monday morning...
Walking with Nan Shepherd
by jamesweeks
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Last year I was asked to write a piece for mezzo-soprano Lucy Goddard and pianist Siwan Rhys. Lucy and Siwan have a wonderful duo partnership that has already seen numerous...
New CD ‘Summer’ on Another Timbre
by jamesweeks
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I’m delighted to announce a new disc of my music, performed by the amazing Explore Ensemble and released on the legendary Another Timbre label. The programme is a sequence of...
A Book of Flames and Shadows
by jamesweeks
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At long last we were able to realise the full concert version of A Book of Flames and Shadows in Orford, Suffolk at the end of April. The project’s evolution...
Podcast: interview with Irene Kurka
by jamesweeks
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I enjoyed chatting to Irene Kurka for her podcast series Neue Musik Leben. Irene is a German soprano, particularly associated (in my mind anyway) with Wandelweiser composers. She sang my...
still here now here
by jamesweeks
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Sophie and I recorded the online premiere of still here on 16th November 2020. It was webcast on 2nd December as my contribution to the locked-down, pared-down season of Musicon,...
London Lockdown: Darragh Morgan
by jamesweeks
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Another old piece comes out of mothballs, thanks to my old friend Darragh Morgan. First Steps was written in 2006 to celebrate the marriage of Christopher Fox and Susan McNally...
still here…
by Caitlin Rowley
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Turning inward for a while: during lockdown I’ve returned to the violin and piano medium and made a long (45′) new piece called still here. still here… a sense of...
Berlin lockdown: Saviet/Houston
by Caitlin Rowley
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Always lovely to hear old pieces in new hands, especially when the hands are those of Sarah Saviet and Joseph Houston. I wrote Wie Soll ich meine Seele halten, based on...